It’s nice when someone else asks you to release something, in this case the always excellent bedroom DIY label Chemical Imbalance in Sydney. (They also put out The Drunken Boat’s album Sideshow in 2016 as well as a whole bunch of great stuff from Australia, New Zealand and elsewhere.) Schmørgåsbaag & Other Furniture is my third solo release to date and is named for the recycled furniture shop come bar come gallery in Hobart where the title track was recorded earlier this year, live in front of a small handful of people. That track is a long one, over 25 minutes in length and comprising the whole of my set on the night; it’s a droning, ambient free-folk kind of thing with plenty of space and amp noise.
The rest of the album comprises another 6 shorter tracks that I recorded at home in Melbourne in August. Aside from everything being played on my electric bouzouki this time around, it’s a pretty diverse bunch of sounds with everything from gentler ambient soundscape to rowdy free improv utilising extended (lack of) technique, to something that sounds more like super overdriven rembetiko. Despite that variety, I think it holds together pretty well as a whole. Comes in awesome hand-made packaging courtesy of Mitch at Chemical Imbalance, each with unique splatter-art covers. Click on the image below to listen to/purchase the album (very limited edition of 25):
Posted in Gigs/Recordings
Tagged blues, bouzouki, Chemical Imbalance music, electric bouzouki, ethno psych, experimental, folk, free folk, free improv, Hobart, improv, noise, rembetika, rembetiko, underground
I started Frustration Jazz earlier this year, initially to put out my own music and I’ve been keeping it pretty quiet until now because of that. But after just three releases – two solo and one by The Drunken Boat – I’m really excited to be puting out the first recordings that I’m not directly involved in. David Palliser’s Lame & Free is a 3-track album of freely improvised music, played mostly on alto sax, influenced by free jazz but definitely non-idiomatic in its approach. David is a member of Melbourne free music legends Charles Ives Singers amongst other acts, as well as being an awesome painter. As for the label, I plan on keeping it pretty wide ranging with a definite bent towards sounds from outside, underneath and in-between. And as much as I like the more free and fucked-up elements of jazz, it’s NOT a ‘jazz’ label.
Posted in Gigs/Recordings
Tagged blues, drone, experimental, folk, free improv, frustration jazz, global, improv, Melbourne, noise, noise rock, out rock, record label
Album number four for The Drunken Boat has just been released on Sydney DIY label Chemical Imbalance, our first to be released by someone other than the band (I released the third one on my own label so that doesn’t count)! Side Show is three long tracks of ethno-forgery/psych/noise improvised in September 2014 and housed in handmade sleeves designed by Mitch at Chemical Imbalance. Copies are very limited so get in quick. Click on the image below for the link and whilst you’re there check out some of the other awesome releases on the label.
The Drunken Boat have just released their third CD-R album Birdless Tongues! Three long-form tracks of drone and soundscape, put to SD card in 2012 during the same intensive period of recording that produced Purple Perfumes… but quite different to that album. I play Indian harmonium throughout this one, Dale is on electronics and bulbul tarang (Indian banjo). Available from our Bandcamp site and at gigs, will be puting some in A. G. Picks shortly too for those in Melbourne.
Pat and Dan asked Jesse and I to join them for a Cross Brothers set at The Tote recently, an all ex-pat Hobart affair. Here’s a portion of the result.
My melbourne-based duo with Dale Chapman put out a CD-R last year, our first release, entitled Obliterated Highway. Two tracks of cathartic shit-core noise and a third (over 20 minutes long) of butalist rock n’ roll minimalism involving a two-string guitar and electronics. There’s still a handful of physical copies left, available from our new Bandcamp page. More recordings on the way soon as well.
One from the middle of last year. First time collaboration between Aaron and myself, in front of an audience. Aaron did vocals and pedals, I did electric bouzouki.