I started Frustration Jazz earlier this year, initially to put out my own music and I’ve been keeping it pretty quiet until now because of that. But after just three releases – two solo and one by The Drunken Boat – I’m really excited to be puting out the first recordings that I’m not directly involved in. David Palliser’s Lame & Free is a 3-track album of freely improvised music, played mostly on alto sax, influenced by free jazz but definitely non-idiomatic in its approach. David is a member of Melbourne free music legends Charles Ives Singers amongst other acts, as well as being an awesome painter. As for the label, I plan on keeping it pretty wide ranging with a definite bent towards sounds from outside, underneath and in-between. And as much as I like the more free and fucked-up elements of jazz, it’s NOT a ‘jazz’ label.
Posted in Gigs/Recordings
Tagged blues, drone, experimental, folk, free improv, frustration jazz, global, improv, Melbourne, noise, noise rock, out rock, record label
I played a couple of solo gigs in July, the second was at LongPlay in Fitzroy North. Contact mic’d acoustic bouzouki running into a PA, 6 strings not 8 of course, in a free-folk kind of vein. I was pretty happy with the way it went (wouldn’t share otherwise) but I reckon I’ve still got a way to go. Tim Coster was also on the bill that night, making his amazing analogue/digital looping drones, along with the debut of McKosker/Harris/Callaway – two basses and a synth, hope to hear more from those folks soon!
The Drunken Boat have just released their third CD-R album Birdless Tongues! Three long-form tracks of drone and soundscape, put to SD card in 2012 during the same intensive period of recording that produced Purple Perfumes… but quite different to that album. I play Indian harmonium throughout this one, Dale is on electronics and bulbul tarang (Indian banjo). Available from our Bandcamp site and at gigs, will be puting some in A. G. Picks shortly too for those in Melbourne.
The Drunken Boat released their second CD-R album in late July, continuing the Rimbaud references with the album and track titles. Sonically it’s more of a drone outing this time around, bookended by a couple of shorter noisier numbers. Recorded in 2012 before Dale went overseas for a year.
One from the middle of last year. First time collaboration between Aaron and myself, in front of an audience. Aaron did vocals and pedals, I did electric bouzouki.