It’s nice when someone else asks you to release something, in this case the always excellent bedroom DIY label Chemical Imbalance in Sydney. (They also put out The Drunken Boat’s album Sideshow in 2016 as well as a whole bunch of great stuff from Australia, New Zealand and elsewhere.) Schmørgåsbaag & Other Furniture is my third solo release to date and is named for the recycled furniture shop come bar come gallery in Hobart where the title track was recorded earlier this year, live in front of a small handful of people. That track is a long one, over 25 minutes in length and comprising the whole of my set on the night; it’s a droning, ambient free-folk kind of thing with plenty of space and amp noise.
The rest of the album comprises another 6 shorter tracks that I recorded at home in Melbourne in August. Aside from everything being played on my electric bouzouki this time around, it’s a pretty diverse bunch of sounds with everything from gentler ambient soundscape to rowdy free improv utilising extended (lack of) technique, to something that sounds more like super overdriven rembetiko. Despite that variety, I think it holds together pretty well as a whole. Comes in awesome hand-made packaging courtesy of Mitch at Chemical Imbalance, each with unique splatter-art covers. Click on the image below to listen to/purchase the album (very limited edition of 25):
Posted in Gigs/Recordings
Tagged blues, bouzouki, Chemical Imbalance music, electric bouzouki, ethno psych, experimental, folk, free folk, free improv, Hobart, improv, noise, rembetika, rembetiko, underground
I started Frustration Jazz earlier this year, initially to put out my own music and I’ve been keeping it pretty quiet until now because of that. But after just three releases – two solo and one by The Drunken Boat – I’m really excited to be puting out the first recordings that I’m not directly involved in. David Palliser’s Lame & Free is a 3-track album of freely improvised music, played mostly on alto sax, influenced by free jazz but definitely non-idiomatic in its approach. David is a member of Melbourne free music legends Charles Ives Singers amongst other acts, as well as being an awesome painter. As for the label, I plan on keeping it pretty wide ranging with a definite bent towards sounds from outside, underneath and in-between. And as much as I like the more free and fucked-up elements of jazz, it’s NOT a ‘jazz’ label.
Posted in Gigs/Recordings
Tagged blues, drone, experimental, folk, free improv, frustration jazz, global, improv, Melbourne, noise, noise rock, out rock, record label
Some clips from a recent and rare appearance of The For Now, playing at The Grand Poobah in Hobart with Small Black Lambs and Peter Charles Macpherson also in the line up. Thanks to Pete for the video documentation, you can keep an eye and ear to what’s happening in the Hobart musical wonderground via Pete’s Picks.